Dancing Queen? Just kidding. Anyone who has seen me on a dance floor from the time my mother tried to teach me how to rock n roll with Dick Clark and American Bandstand after school in the living room of our home in Richards, Texas to dancing with Pretty and our granddaughters in their kitchen to Roe, Roe, Roe, your Vote – anyone who has seen me try to dance will say gosh, Sheila can still carry a tune plus she’s got rhythm but Lordy, that old woman can’t dance.

I may not be a Dancing Queen, but ABBA will always be my favorite musical group, my go-to songs when I think I can dance.

Last week I watched the movie Mama Mia with Meryl Streep and a bunch of other people I know and like because it’s on my list of all time favorite movies and because I had a round of the epizooti. It was so good I watched it twice and then moved on to The Devil Wears Prada. I only watched it once, though, you’ll be pleased to know.

Since I was in a prone position with no urges to dance, I listened to the words of a beautiful, slower tempo song from Mama Mia that Meryl sang in a poignant scene with her daughter. Beyond the obvious feelings I have now with my granddaughters, I can also connect the words to my relationship with Pretty. Life is often slipping through our fingers all the time.

“Slipping Through My Fingers”

Schoolbag in hand, she leaves home in the early morning
Waving goodbye with an absent-minded smile
I watch her go with a surge of that well known sadness
And I have to sit down for a while
The feeling that I’m losing her forever
And without really entering her world
I’m glad whenever I can share her laughter
That funny little girl

Slipping through my fingers all the time
I try to capture every minute
The feeling in it
Slipping through my fingers all the time
Do I really see what’s in her mind
Each time I think I’m close to knowing
She keeps on growing
Slipping through my fingers all the time

Sleep in our eyes, her and me at the breakfast table
Barely awake I let precious time go by
Then when she’s gone, there’s that odd melancholy feeling
And a sense of guilt I can’t deny
What happened to the wonderful adventures
The places I had planned for us to go
Well, some of that we did, but most we didn’t
And why, I just don’t know

Slipping through my fingers all the time
I try to capture every minute
The feeling in it
Slipping through my fingers all the time
Do I really see what’s in her mind
Each time I think I’m close to knowing
She keeps on growing
Slipping through my fingers all the time

Sometimes I wish that I could freeze the picture
And save it from the funny tricks of time

Slipping through my fingers…

*************************

Overheard in her playhouse from two-year-old Molly this weekend: “Naynay, I’ll never leave you.”

Published by Sheila Morris

Sheila Morris is a personal historian, essayist with humorist tendencies, lesbian activist, truth seeker and speaker in the tradition of other female Texas storytellers including her paternal grandmother. In December, 2017, the University of South Carolina Press published her collection of first-person accounts of a few of the people primarily responsible for the development of LGBTQ+ organizations in South Carolina. Southern Perspectives on the Queer Movement: Committed to Home will resonate with everyone interested in LGBTQ+ history in the South during the tumultuous times from the AIDS pandemic to marriage equality. She has published five nonfiction books including two memoirs, an essay compilation and two collections of her favorite blogs from I'll Call It Like I See It. Her first book, Deep in the Heart: A Memoir of Love and Longing received a Golden Crown Literary Society Award. Her writings have been included in various anthologies including Out Loud: the best of Rainbow Radio, Saints and Sinners New Fiction from the 2017 Festival, Mothers and Other Creatures; Cowboys, Cops, Killers, and Ghosts (Texas Folklore Society LXIX). She is a displaced Texan living in South Carolina with her wife Teresa Williams and their dogs Spike, Charly and Carl. She is also Naynay to her two granddaughters Ella and Molly James who light up her life for real. Born in rural Grimes County, Texas in 1946 her Texas roots still run wide and deep.

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