Josie Holford’s blog, Rattlebag and Rhubarb, another of my favorites, introduced me six months ago to the work of Joan Eardley, a lesbian artist who died at the age of 42 from cancer that began as breast cancer but spread to her brain. (josieholford.com/joan-eardley/) I encourage you to visit her blog for additional insights.

Joan Eardley
Joan was born in 1921 on a dairy farm in Sussex, England, to Anglo-Scottish parents. Her father committed suicide in 1929, but Joan and a younger sister, Pat, weren’t told about the cause of his death until they were grown women. The two young sisters and their mother lived in London with their grandmother and great-aunt who took care of them. When the bombings began in England in WWII, the women returned to their roots in Scotland to live in Glasgow.

National Galleries of Scotland (www.nationalgalleries.org)
early works of Eardley followed the Samson family, a family of twelve children growing up on the back streets of Glasgow

“In January, 1940, Eardley enrolled at the Glasgow School of Art as a day student where she studied under Hugh Adam Crawford and was influenced by the Scottish Colourists…[9] She met the painter Margot Sandeman, who became a close and lifelong friend.[9][14] Sandeman and Eardley would often paint together and also shared family holidays and camping trips.[15] In 1941, they acquired a horse and caravan and travelled around Loch Lomond to paint and sketch. For many years, they also visited Corrie on the Isle of Arran, using an outhouse, the Tabernacle, as a studio.” (Wikipedia)
In 1957 Eardley was recovering from the mumps, and a friend took her to Catterline, a tiny village located on the North Sea in Aberdeenshire, Scotland. In an audio recording Eardley spoke of Catterline: “When I’m painting in the North East, I hardly ever move out of the village (Catterline), I hardly ever move from one spot. I do feel the more you know something, the more you can get out of it. That is the North East. It’s just vast (indistinct word possibly “waves”), vast seas, vast areas of cliff. Well you’ve just got to paint it.”[36][37] (Wikipedia)

Joan Eardley – Catterline Seascape
As for her personal life, Eardley’s name was associated with other women artists at various times during her life – women she met while studying art at the Glasgow School of Art. Margot Sandeman (1922 – 2009). Lilian (Lil) Neilson (1938-1998). Dorothy Steel (1927-2002).
But the love of Eardley’s life was the violinist/photographer Audrey Walker who was ten years older than Joan, married, living in Glasgow but was with Eardley in the Catterline years from 1952 until her death in 1963.
In 2013, fifty years after the artist’s death, love letters she wrote to Walker in Glasgow from Catterline were published. Walker died in 1996.
Source: Love Letters from Catterline – Joan and Audrey
The Scottish Gallery
Passages from letters from Joan Eardley to Audrey Walker:
I just feel I love you so much – and there just ain’t words – to say it – not words that mean what I feel inside of me – and there’s nothing else that I really want to say – nothing at all…
Joan Eardley

Passages from Audrey Walker’s tribute to Joan Eardley:
To me she was quite simply the winter sea to which and for which I would give my life.
Audrey Walker
*********************
Special thanks to Josie Holford for leading me down the rabbit hole of Joan Eardley’s life and especially her art. I’ve been saving this journey for a special time. Women’s History Month is that moment.











You must be logged in to post a comment.